Raf Simons To Take Over At Christian Dior


Raf Simons To Take Over At Christian Dior
The guessing game of who will replace John Galliano at Dior has finally ended this week, with Belgian designer Raf Simons being named the new artistic director at the Parisian fashion house.
The position opened up for the designer due to John Galliano being fired from the placement last year over some awful anti-Semitic comments that were captured on a mobile phone by a member of the general public.
The eagerly anticipated new collection is expected to be showcased at the July Couture fashion shows in Paris.

Raf Simons, who previously worked as creative director at Jil Sander, is known for his use of bold eccentric colours, stimulating shapes and minimal silhouettes – a far cry from Galliano’s previous work, which consisted of romantic, ultra feminine collections.
Dior hope that with the hiring of the ground breaking designer, it will steer the label in a new direction, propelling “it’s iconic style into the 21st century”.
With all the hype and speculation surrounding what’s in store for the super brand, here at FashionBeans HQ (along with the majority of fashion fanatics around the world) we eagerly await the release of the AW12 collection. We cannot wait to see what modernised offerings the talented designer can bring to the already well established label.








12th April 2012
http://www.fashionbeans.com/2012/raf-simons-to-take-over-at-christian-dior/

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Three Girls


AS Alexandra Shulman's debut novel - Can We Still Be Friends - goes on sale today, she introduces us to its intricately-drawn female protagonists: Sal, Annie and Kendra. Here, she reveals the character she's most "emotionally like" and how the book shows the change in men over the last 30 years:
"There is probably some of me in all of them. They're works of imagination but little details might be from a person or place. I keep notes all the time and they were borne from things I've seen, but they're not based specifically on friends of mine."

"Annie is probably the one I'm most emotionally like - everyone has said that to me actually. Sal is very real to me too - she's like a lot of people I know, with that mixture of catastrophe and charm swirling around her. Kendra is probably the one who's least like people I know, but she is quite like me in some ways - she doesn't want to cause trouble or confrontation. Part of her development was that she becomes more assertive as time goes by."
"Sal's self-obsession I don't really like; she's pretty tunnel-visioned, but that also makes her quite intense and interesting. Kendra moans and sulks - that's not particularly attractive - and Annie just makes the mistake of settling for terrible men."

"What was interesting - it's a cliché but it's completely true - was that they became totally real to me and took on a life of their own. I can completely see them. They did and said things I had no idea they would."
"The only true description of something I experienced in my career was the sea of grey in the news room: all these men with their ties loosened, putting their jackets on to go into a meeting; all looking the same. I think now the men in a newsroom would be more stylish - but in those days you had to look a certain way. Men have changed quite a lot."
"I'd quite like to revisit these characters when they had grown up - I'd be interested in writing something about older people. To me this book is really about the relationships between parents and daughters. Although I didn't mean it to, it became about them trying to get away from their backgrounds."










LAUREN MILLIGAN 12 April 2012
http://www.vogue.co.uk/news/2012/04/12/alexandra-shulman-book---can-we-still-be-friends-released

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Pilati For Armani?


JUST one day without successor rumours is quite enough for the fashion world and, almost as soon as Raf Simons' appointment brought a year of Dior conjecture to an end, speculation that Stefano Pilati is headed to Giorgio Armani has reared its head again.
Former Fashion News Daily writer Jim Shi Tweeted earlier this week: "My sources are telling me Stefano Pilati is headed to Giorgio Armani with the intention to assume full creative reigns when GA retires."

The story first emerged in March 2011, when Twitter again was the source of whispers that Stefano Pilati was headed to Giorgio Armani, with Hedi Slimane rumoured to be set to replace him at the French house. One part of the prediction came true almost exactly a year later - with Pilati departing YSL and Slimane arriving in March 2012 - so perhaps it was inevitable that Pilati's destination would be the next point of gossip.

A spokesperson for Giorgio Armani dismissed the rumours as "untrue" a year ago, but the designer - who is 77 - said in 2009 that he plans to sell his company when he retires. He has never named a possible successor despite both Pilati and Narciso Rodriguez being linked with the post.










LAUREN MILLIGAN 11 April 2012
http://www.vogue.co.uk/news/2012/04/11/stefano-pilati-to-giorgio-armani---fashion-rumours

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LINKS OF LONDON Sport Style


LEWIS HAMILTON and Jenson Button have turned to modelling - at least for now - as they appear in the campaign imagery for McLaren Sport's new jewellery line in collaboration with Links of London.

SEE THE COLLECTION HERE

The collection is inspired by the construction of the Mercedes Formula One cars that both Button and Hamilton drive, with chunky rings, bracelets and cufflinks referencing everything from the axis within the cars to the patented design of the screws.

If we ever did see a collection that will get men talking about jewellery, it's this one.

The range is available from April 15, with leather goods launching later this spring.









LISA NIVEN 11 April 2012
http://www.vogue.co.uk/jewellery/news/2012/04/11/lewis-hamilton-jenson-button-links-of-london

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McGrath's Choice



PAT MCGRATH has created more beauty looks than we can count - just see some of her best moments here for evidence of her industry prowess - but which is her favourite?

"Now that's a tricky question because I love each and every look in a different way," McGrath told us. "But I have to say, the look we created for Dolce & Gabbana's spring/summer 2012 show using the Khol Collection was so beautiful and complemented the designers' collection really well."

The legendary make-up artist has been collaborating with the Italian design duo for over 12 years, and this particular beauty look was arguably one of the prettiest in a season of overtly feminine make-up styles.

"The concept centred on the charm and beauty of Southern Italy - Mediterranean food, the smells and the occasion. We used nail colours in deep purple to symbolise aubergine and a really stunning wild green shade for the courgette," she revealed. "It really was stunning; the models looked natural but incredibly beautiful."


And McGrath has some tips on how to achieve spring's fresh-faced prettiness for yourself.

"I think this spring we are seeing a trend which really embraces the natural, fresh-faced look. Wearing a light, almost undetectable foundation is the key. Adding a touch of bronzer with a slight glow works really well and adds a lovely radiance which is so on-trend," she said. "Finally I think a touch of blush in a rose or coral shade adds that fresh and feminine dimension; try Dolce & Gabbana's Luminous Cheek Colour in Sole as it's perfect for spring".










Lisa Niven
http://www.vogue.co.uk/beauty/2012/04/11/pat-mcgrath-favourite-beauty-look-dolce-gabbana

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Mr Right?


Updated Wednesday April 11, 9.03am: Joan Burstein, Colin McDowell and Katie Grand, among others, have joined the debate about the appointment of Raf Simons at Dior - and the reaction has been overwhelmingly positive.
"It is not a surprise that he has got this position as he bought another dimension to Jil Sander as far as sophistication and a touch of glamour was concerned," Browns founder Burstein - the woman who bought Simons' predecessor John Galliano's graduate collection in 1984, 12 years before he was appointed by Dior - told us. "And I am sure he will have the opportunity to develop his great talent at Dior."

"This is a great chance for Raf to prove himself a true all-rounder," legendary fashion journalist and Fashion Fringe founder Colin McDowell added. "I see no reason why he should not succeed in moving Dior in a new direction and I look forward to his collections with great anticipation. It is so refreshing to have another young designer alongside Riccardo Tisci as an haute couture creator."
"I am a huge fan of Raf's, he's smart, clever, interesting and extremely talented," Love editor - and long-time Marc Jacobs collaborator - Katie Grand told us. "I think he will modernise Dior's womenswear and I'm very excited to see a fresh, new vision from the house."

"Raf is possibly the most modern designer of our time," fashion consultant Yasmin Sewell added. "Having him take on one of the most historical fashion houses will be, in my opinion nothing short of ground breaking"
Updated Monday April 9, 6.48pm: Christian Dior has confirmed that Raf Simons has taken the place of John Galliano at the house. The designer, who left his post as creative director of Jil Sander in February, will show his first collection for Dior during Couture Week in July, and will hold the official title of "artistic director".

"It is with the utmost respect for its tremendous history, its unparalleled knowledge and craftsmanship that I am joining the magnificent house of Dior," Simons said today. "Mr Christian Dior has always been for me the most inspiring couturier. Around the globe, the name Dior symbolises the ultimate in elegance and refinement. I am truly humbled and honoured to become artistic director of the most celebrated French house in the world."
"Raf Simons is an extraordinarily talented designer," said Vogue editor Alexandra Shulman on hearing the news. "He combines great skill and vision with modernity and a point of view, which is essential for leading fashion houses today."

The appointment comes more than a year after John Galliano's high profile dismissal, which preceded a trial in Paris during which he was found guilty of using anti-Semitic insults. Simons is only the sixth designer to helm Christian Dior - following the founder, Yves Saint Laurent, Marc Bohan, Gianfranco Ferré, and John Galliano in the role.

Much like his predecessor, Simons has one eye on the history of the brand - but aims to bring his own point of view to the label.
"My aim is a very modern Dior, but at the end of the day, I also look back," Simons told the New York Times, referring to what he calls "mid-century modernism".
"I find that period between 1947 and 1957 extremely attractive, and there was a lot of modernity," he said. "There was the romantic appeal looking back to his mother and the belle époque, but there was also a constant evolution in shape, changing proportions and the ideas connected to the World War were revolutionary."
"It is with tremendous excitement that the House of Dior is welcoming Raf Simons, one of today's greatest talents," LVMH added in a statement. "Monsieur Dior's first collection radically changed the codes of elegance all over the world. Following the legacy of its founder, Raf Simons' journey with the house of Dior will propel its iconic style into the 21st Century."

And for those who think the former menswear designer will struggle with the rigours of couture, Simons has a simple answer.
"It is not always right to judge everything in terms of commerciality," he said. "In the art world there are collectors, curators and an audience, and they are all important. I am fascinated with what could be the relevance of the language of couture in the 21st Century."

Updated Monday March 19 9.43am: One of the designers linked with the still-vacant post at the helm of Christian Dior, Haider Ackermann, has spoken about the possibility of helming an established house alongside his eponymous label.
"There are two houses I would be interested in," Ackermann said. "Two where I feel there is shared sensibility, and I could bring something else of myself to the house, which isn't expressed in my own line."

Although reluctant to name either house, he concedes that his dream is "couture". Ackermann has long been linked with the creative directorship at Chanel - after Karl Lagerfeld named him as his chosen successor if and when he decides to step down - and was linked again with the Dior job in March of this year after flowers arrived at Dior's Paris headquarters addressed to him (read more below). Despite the pressure placed on designers in established houses - widely assumed to have contributed to John Galliano's very public fall from grace last March - Ackermann insists this isn't something that would worry him.
"Look, let's be honest," Ackermann told the Financial Times. "You can't just blame the system. We are all responsible for our own lives. I find it difficult when people complain about the pressure. This is fashion, it's not surgery. It's a job; a job with a lot of dreams woven in."

Updated Monday March 13, 9.07am: Respected fashion commentator Colin McDowell has weighed in on the Dior successor debate again this morning - insisting that new blood, rather than a safe established name, is what the house needs for the next phase of its development.

"And so we come to the tragic case of Dior," he writes for the Business of Fashion, after offering his opinion on Raf Simons' Jil Sander departure and Hedi Slimane's YSL arrival. "And it is tragic on more levels than one: that a label needs a designer and that a man, for all his transgressions, needs a job. Fashion needs that man. To insert Bill Gaytten - an undisputedly brilliant technician, but not a designer - into the gap at Dior can be nothing but a temporary solution. It's high time this gap was closed. But why not with somebody young and untested, as Yves Saint Laurent was when he took over the reins at Dior at the tender age of 21 and went on to revolutionise women's clothes? I still believe that designers with genius and courage, traits which are invariably independent of age, are more likely to thrive at a grand Paris label than at brands in any of the world's other fashion capitals at this point."
McDowell made headlines last year after he revealed he had written to Dior chief executive Sidney Toledano to recommend Yves Saint Laurent-lookalike Erdem Moralioglu for the vacant post. Another young London-based designer, Christopher Kane, was linked with the job last month (see below) - but told us exclusively that he is not in the running.
Updated Wednesday March 7, 1.12pm: Whispers on the Miu Miu front row this afternoon (where Marc Jacobs tapped his feet as he watched the show), suggest that - after all the back-and-forth - Jacobs is set to be announced as the Christian Dior creative director this afternoon.
Jacobs was one of the first names in the frame when Galliano was dismissed in March 2011, but after serious negotiations with LVMH ceo Bernard Arnault, Jacobs effectively ruled himself out of the running late last year - reportedly after his request to bring his entire Louis Vuitton team with him was denied by Arnault.

"I am at Vuitton, and I am very happy there," Jacobs said in December 2011. "I've been saying that for a long time. There have been on-and-off conversations about Dior. I don't know; maybe someday in the future, maybe years from now, I may end up going someplace else, maybe Dior. But right now I am at Vuitton, and all that matters to me is that that's where I am and I'm going to keep doing my thing."
In some way substantiated by this morning's show, which was a tribute to Louis Vuitton's proud history as a luggage brand, Jacobs' rumoured departure would leave the way open for recently-departed Jil Sander creative director Raf Simons to take the Louis Vuitton helm.

Updated Thursday March 1, 8.43am: While the fashion world seems to think that the appointment of Raf Simons at Christian Dior is a foregone conclusion - despite murmurs that contract negotiations have stalled and Bill Gaytten's agreement may have been extended - we heard some news this morning that may just throw a spanner in the works. A source in Paris tells us that a bouquet of flowers arrived at Dior HQ yesterday morning addressed to one Haider Ackermann - the Columbian-born designer first linked with the job in March 2011 following Galliano's departure.
Could this be a mistake? A simple address mix-up? Well, considering that Ackermann's Paris offices on the Rue Saint Maur are almost three and a half miles from Dior's Avenue Montaigne HQ, it seems unlikely. So does someone know something we don't?

Previously said to be considered "too edgy" for Dior, he was linked with a move to Givenchy at a time when Riccardo Tisci seemed the likely replacement for Galliano. Karl Lagerfeld has made no secret of the fact that he would like Ackermann to replace him at Chanel when the time is right, but could Dior tempt him away from that offer?

Updated Tuesday February 28, 10.42am: Christopher Kane has ruled himself out of the running for the Dior job, just a day after he was linked with the role by the International Herald Tribune's Suzy Menkes.
"While it is incredibly flattering that I could be considered for a role at a house such as Dior at this stage in my career, I can confirm that I have not been approached," Kane told us this afternoon. "I am focused on developing my own label and my ongoing collaboration with Donatella Versace for Versus."

Industry insiders feel that it is likely that Raf Simons will be appointed to the label, following his departure from Jil Sander, but both Stefano Pilati - this week confirmed to be leaving YSL - and Hedi Slimane are still being mooted for the role.
Updated Monday February 27, 1.31pm: Respected fashion writer Suzy Menkes has added another possible name to the mix for the Dior job, by suggesting that London designer Christopher Kane could now be in the running.
"The collaboration between Donatella Versace and Christopher Kane with his sister Tammy is a sweet reminder of the Gianni Versace-Donatella years," Menkes says. "But what if - as the rumour mill claims - Mr Kane has been put up for the Dior job? There will be yet another round of musical chairs."

The quote is part of a longer piece which Menkes has written for the International Herald Tribune this morning, about the current upheaval in the fashion world - beginning a year ago with the dismissal of John Galliano from Dior, continuing with Friday's announcement that Raf Simons will be replaced at Jil Sander by the woman herself, and further compounded by today's confirmation that Stefano Pilati will leave YSL - which, she says, "leaves a queasy feeling".











LAUREN MILLIGAN 11 April 2012
http://www.vogue.co.uk/news/2011/06/21/john-galliano-successor-who-will-take-over-at-christian-dior

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Marc Make-Up


MARC JACOBS may already design for three fashion labels, as well as offering fragrance and accessories, but now he plans to add make-up to that long list.

The designer is working with Sephora on a collection of colour cosmetics, as well as having recently announced that he will launch a new fragrance - Dot - in July.

"Anything to me that is part of the joy, the ritual, of getting dressed - things that women enjoy like bags, shoes, fragrance, clothes, make-up - that's what fashion's about for me," Jacobs said. "I love the opportunity, wherever there is one, to adorn, to decorate, to scent, to dress. That's what fashion's all about. It's not necessary, it's something you want - it's a fancy and a whim."

And whilst Jacobs only had his first meeting about the make-up line last week, he's already showing a lot of enthusiasm for his new venture.

"I see make-up, fragrance - everything, really - as an opportunity. The idea of choosing a colour for your lip, or an eyeliner - it's just such a delight. The ritual of waking up and making those choices is something people really enjoy," he told WWD. "We currently are working on defining what Marc Jacobs cosmetics will be, what they'll say, what makes them distinctive. I think that will take some time, but the first meeting was good."










Lisa Niven 03 April 2012 in NEWS
http://www.vogue.co.uk/beauty/2012/04/03/marc-jacobs-new-make-up-and-dot-fragrance

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Calvin For Macy’s


CALVIN KLEIN creative director Francisco Costa will launch a limited edition collection for Macy's next month, signifying a first- and extensive - foray onto the high street by the American fashion giant.
With price points from $135 (£84.40), to $180 (£112.60), the range will mark the start of the US chain's new spring project - a celebration of all things Brazilian, in a bid to raise money for the Amazon Rainforest. Costa, who was born in Guarani, Brazil, says that the pairing is a perfect fit.

"This fresh, youthful line of dresses reflects both my roots and the modern, yet timeless spirit of Calvin Klein," said Costa.

The collection, which will be available from May 15 for two months, will incorporate the clean lines of Calvin Klein and was inspired by Brazil's beautiful sunsets, as well as its architecture. Costa is not the only Calvin Klein designer to be collaborating with the store - Kevin Carrigan, the global creative director for ck Calvin Klein, Calvin Klein and Calvin Klein Jeans, has created a range of men's and womenswear which will also Brazilian elements - including vibrant colours and prints.

"This is a huge coup for us," Macy's Inc.'s executive vice president of marketing Martine Reardon told WWD. "We obviously have a huge distribution of Calvin Klein products but we do not carry the [designer] collection that Francisco creates. Unfortunately, those price points are not within Macy's price points."


Previous designers to team up with Macy's include Karl Lagerfeld, Kinder Aggugini, Matthew Williamson and Alberta Ferretti.









ELLA ALEXANDER 03 April 2012
http://www.vogue.co.uk/news/2012/04/03/francisco-costa-launches-calvin-klein-macys-collection

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